Season 1 holds a perfect 100% on Rotten Tomatoes from 6 critics with an 85% audience score. Decider called it worth a binge; it was the first Spanish original series produced by Netflix. IMDb series rating is 7.7.
Renewal: Season 5 (split into two parts and released February and July 2020) concluded the series. Netflix and Bambu Producciones confirmed no further seasons. (Wikipedia)
Indian OTT platforms do not publish per-title streams. This tracks reception across the run, not viewership.
| Season | Released | BollyMeter | Critics | Audience | Verdict |
|---|---|---|---|---|---|
| Season 12017 · 8 eps | 28 April 2017 | 7.8 | 100% | 7.7/10 | WORTH-IT |
| Season 22017 · 8 eps | 25 December 2017 | 7.6 | 90% | 7.7/10 | WORTH-IT |
| Season 32018 · 8 eps | 7 September 2018 | 7.2 | 67% | 7.7/10 | WORTH-IT |
| Season 42019 · 8 eps | 9 August 2019 | 7.0 | n/a | 7.7/10 | WORTH-IT |
| Season 52020 · 10 eps | 14 February 2020 | 7.0 | n/a | 7.7/10 | WORTH-IT |
Season 1 · episode BollyMeter rhythm
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A woman in a uniform walks into a room that is supposed to feel safe. It does not. The air is filled with the kind of quiet that comes after promises have been broken, and before the next set of bargains begins. What looks like a fresh start on paper turns into a test of who is s
Full episode review →A knock lands on a door that should already be familiar to fear. The hour cuts from paperwork to people and from private vows to public consequences. Someone tries to keep the world in order with small rules, but Madrid is no longer a place where rules behave. The episode’s tensi
Full episode review →A woman delivers a message that is supposed to be simple. It is not. The hallway looks ordinary, but the air is already charged with what the last few months have taught everyone. People keep choosing “later” because “now” might cost them too much. Then the hour makes the choice
Full episode review →A telegram hits Madrid like a weather change, neat ink and brutal timing. In the company corridors, work continues anyway, because that is what systems do when they are terrified. The episode drops people into decisions where “do we help?” and “who pays?” are the same question. T
Full episode review →A hospital corridor turns into a courtroom without the robes. **Lidia** walks in carrying what looks like proof, **Violeta** stands in the path like a dam that knows it will be tested, and **Carla** watches the whole thing from just off-center, as if one wrong step could undo thr
Full episode review →This hour keeps circling one blunt truth: after years of trying to outrun power, the women of the Telephone Company now live inside its bookkeeping. **S05E06** uses quiet conversations and paperwork-like decisions to turn romance and friendship into survival skills, then forces t
Full episode review →The hour starts in the aftermath mood, when paperwork feels heavier than grief. A plan that looked clean on paper gets tested by a human problem, and the show makes you sit inside the gap between “what should happen” and “what the people left standing can afford.” The camera ling
Full episode review →Madrid is supposed to be a place that sorts people into categories. This episode tests whether the company, the city, and even the women’s own promises still obey those labels. The pressure is quiet at first and then, all at once, it becomes personal. A decision gets made in the
Full episode review →The hour leans into the aftermath energy that Cable Girls saves for near the end. It pivots from “survival and improvisation” into “what you actually carry out of the war,” especially in how **Lidia**, **Margarita**, **Carlota**, and **Ángela** decide to live once the loudest dan
Full episode review →A factory line goes quiet for a second that feels too long. One of the women steps into a corridor where uniforms mean rules, not protection, and she learns that the world can still bargain with grief. The episode does not open with fireworks. It opens with paperwork and memory,
Full episode review →Updated
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