Inventing Anna · Season 1 · Netflix
Inventing Anna Season 1
Inventing Anna Season 1 is a ONE-TIME WATCH, BollyMeter 6.4/10. 9 episodes on Netflix from 11 February 2022.
Updated
What BollyAI Thinks
Inventing Anna premiered February 11, 2022, created by Shonda Rhimes and adapted from Jessica Pressler's New York Magazine article on Anna Sorokin's scam of New York's wealthy social elite. Julia Garner plays Sorokin with a deliberately arch accent and a performance that commits to the role's contradictions: is Anna a criminal, a performance, or someone who took social climbing to its logical extreme? Critics scored the show at 64 percent from 87 reviews, noting the tonal inconsistency between the true-crime framework and the gleeful pro-con energy Rhimes brings to her work. Anna Chlumsky's journalist narrator occasionally drags the pacing. The show is more enjoyable than it is good - and enjoyable enough to justify nine episodes.
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The Room
“While Inventing Anna is as tonally wobbly as Julia Garner's intentionally daffy accent, her committed performance and the salacious story make for juicy entertainment.”
Rotten Tomatoes (consensus)
Standout Episodes
The hours worth arguing about - premieres, finales, and the turning points. BollyAI reads the room episode by episode.
- E1pilot6.5
The premiere of Inventing Anna drops viewers into the New York Magazine journalist Vivian Kent's investigation of Anna Sorokin immediately, framing the story as a puzzle of competing accounts. Julia Garner's Anna arrives in fragments - each witness remembers a different performance. The episode's confidence is its tonal commitment to telling a con story in the register of a con: slick, entertaining, and aware of its own artifice.
The moment: Anna's first hotel arrival - the specific physicality Garner brings to the character, accent and posture fused into something that makes the fraud immediately legible.
Full review of E1 → - E6Friends in High Places6.8
Episode 6 is Inventing Anna at its most purely entertaining - the Moroccan trip sequence, in which Anna orchestrates a vacation on stolen credit and sheer audacity, plays like a caper film. The episode clarifies the show's implicit argument: Anna's success depended entirely on other people's desire to believe in the version of wealth she was performing.
The moment: The Moroccan hotel checkout - the specific mechanics of how Anna engineers the escape from the bill, which the episode stages as simultaneously appalling and impressive.
Full review of E6 →