A 100-percent Rotten Tomatoes score on five reviews signals critical enthusiasm for its procedural rigour and Kim Hye-soo's commanding lead. Netflix Top-10 non-English performance for two consecutive weeks confirmed wide reach, while the IMDb 7.9 suggests audience satisfaction just below the prestige tier.
Renewal: Netflix cancelled a second season on January 27, 2023. The show ran as a single ten-episode limited series. (Wikipedia)
Indian OTT platforms do not publish per-title streams. This tracks reception across the run, not viewership.
| Season | Released | BollyMeter | Critics | Audience | Verdict |
|---|---|---|---|---|---|
| Season 12022 · 10 eps | 25 February 2022 | 7.8 | 100% | 7.9/10 | WORTH-IT |
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Before the courtroom even fully warms up, Judge Sim Eun-seok arrives with a posture that isn’t just authority. It’s contempt with a schedule. The hour makes her certainty feel rehearsed. She treats juvenile offenders like a category, not a life. Then the casework around her start
Full episode review →A courtroom promise turns into a spreadsheet of excuses the moment the file hits the bench. Judge **Sim Eun-seok** walks in prepared to punish what she can see, but the case is built on what no one bothered to write down. A child’s damage is presented like evidence. An adult’s co
Full episode review →A courtroom can look clean while everything underneath it is rotten. **Sim Eun-seok** walks into that contradiction with the same rigid posture she always brings, and the hour immediately tests whether her contempt is grounded in law or just in comfort. The casework is messy, the
Full episode review →A kid sits in court like everyone else, but the atmosphere is different, heavier. Judge **Sim Eun-seok** watches not just the testimony, but the posture of the room: the delays, the paperwork, the way adults talk around what actually happened. The episode opens with a procedural
Full episode review →A kid in the dock is treated like a case number first and a person second. In the space where a verdict should be clean, **Judge Sim Eun-seok** keeps asking questions that are too basic to be comforting. Everyone else in the room, from court procedure to office habit, seems train
Full episode review →This hour turns a routine court day into a moral stress test. A vulnerable child case gets processed like a file, not a person, and **Judge Sim Eun-seok** is forced to sit with the gap between what the law can do and what it refuses to see. The episode’s best work is structural:
Full episode review →A mother waits with a face that has already decided how the courtroom should end. In the family court’s bright, functional quiet, the question is not whether a child committed wrongdoing. The question is whether the system will keep calling harm “an accident” when it keeps repeat
Full episode review →A child’s future gets argued like a case file, and Judge **Sim Eun-seok** refuses to accept that this is “how it has to be.” The courtroom energy turns from deliberation to friction as the system’s answers feel pre-written and the human harm feels delayed. The hour’s central move
Full episode review →The hour pivots on Judge **Sim Eun-seok** learning that the system does not “misjudge” children so much as it predicts their ruin and then calls the outcome justice. **Kang In-woo**’s casework and the court’s paperwork gravity collide with **Seo Woo-jung**’s quiet refusal to be r
Full episode review →The hour opens on a verdict still wet with moral confidence, and then quietly humiliates it. The case that’s supposed to settle the system ends up exposing how little “justice” can do when evidence, power, and fear decide the meaning of the truth.
Full episode review →Updated
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